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A Constellation of Identities, Winking and Shifting

Museo del Barrio’s ‘Bienal 2013’ Explores Self and Origins

Linda Rosier for The New York Times

By HOLLAND COTTER

Published: June 13, 2013
 

La Bienal 2013: Here Is Where We Jump A detail of “Wallscape,” fashioned on site by the artist Pavel Acosta from paint scrapings, at El Museo del Barrio.

The second artist, Pavel Acosta, was born in 1980 in Havana. There, with art supplies hard to come by, he developed a method of composing paintings, collage-fashion, from chips of old paint flaking off city walls. He brings the same technique to a piece called “Wallscape” at El Museo. Its image is based on a terrific 1988 painting in the collection by the Dominican artist Manuel Macarrulla, ostensibly of a tropical carnival but really a commentary on colonialist intrusions into the Caribbean. Mr. Acosta stripped white paint from the gallery wall opposite the wall where Mr. Macarrulla’s picture hangs, then painstakingly recreated its image from the scrapings, supplementing a dynamic existing art with a mirroring ghost that will haunt the gallery until the bienal is over, then disappear. “Wallscape” is, in its exquisite way, an epic performance, a lesson in creative economy, a tribute to existing art, an acknowledgment of ethnicity and its politics, an exercise in personal mastery, and an expression of love for all of that.

                                      

 

 

 

 

 

Kaelen Wilson-Goldi

“La Bienal 2013: Here Is Where We Jump”

EL MUSEO DEL BARRIO

 

 

 

PAVEL ACOSTA, STOLEN FROM THE MET

Hunter Braithwaite

 

 

 

 

 

El PILLAJE COMO ACTO CREATIVO

Janet Batet

March 29th, 2014

 

 

 

 

 

 

Exhibition Close-Up: Pavel Acosta: Stolen from the Met

Janet Batet

Published: March 25, 2014

 

 

 

 

PAVEL ACOSTA

Interview With a Thief

By Elvis Fuentes

 

 

 

 

 

nycARTscene Interview: Pavel Acosta

By:Keith Schweitzer

 

 

 

 

 

 

 

 

 

Published: June 20, 2013

 

 

Caribbean: Art at the Crossroads of the World

“The first-ever show of its kind, the extensive Caribbean: Crossroads of the World was 10 years in the making and organized by El Museo del Barrio with the Queens Museum of Art and The Studio Museum in Harlem. At El Museo del Barrio, the show examines themes relating to commerce and identity, explaining how sugar plantations, the oil industry, tourism and dreams of nationhood shaped the region and its artists. For even more highlights from the exhibition, listen to the Culture Spot podcast

 

 

 

 

 

 

 

 

 

The Aesthetic Locus of Caribbean Identity

 by André Juste 29 Octobre 2013 

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